Showing posts with label not recommended. Show all posts
Showing posts with label not recommended. Show all posts

Monday, April 7, 2008

Hatenkou Yuugi

I tried to give it another chance (the fun banter between the leads lured me back) but the episodes simply continue to get worse. Predictable, trite plots made worse by ridiculous scripts intent on saying instead of showing just make it unbearable despite often very fun chemistry and bishonen boys who are just so ridiculously over the top it's impossible not to laugh at them.

So I'm done. Not recommended to anyone, unfortunately.
based on 4 episodes : ANN : Wikipedia : YouTube : Crunchyroll

Monday, March 17, 2008

Hatenko Yugi, episode 3

It's not entirely clear what's going on in this show. Rahzel is kicked out of her house with just a blind-folded teddy bear and a command to "see the world." She comes across an oh-so-myseriously-sexy albino-with-issues (and a gun) named Alzeido. They go on random adventures together (inexplicably joined by the playboy Baroqueheat) and learn the value of friendship and true love. Or something. Also, she has vague magic powers that seem to involve shooting generic energy blasts and the playboy can turn his hand into a... sword... thing. And don't worry about keeping any sense of time or space or tension during the fights, 'cause there is none.

It's got all the classic shoujo elements: a cheerful heroine, a silent-but-sexy type, and an overly affectionate hunk. The meandering "plot" and the lack of any distinct setting, per se, makes it difficult to follow - as do the stilted and heavy-handed references to Mysterious Pasts for both the bishis - but the actual dialogue was surprisingly sharp enough for me to give it a little time to develop. Our heroine isn't a swooning ditz, she's a reasonable bad-ass in her own right and her exchanges with both her gigolos are surprisingly entertaining. She's got a sharp tongue and so do they. Perhaps even more importantly, they don't insist on continually denying obvious feelings for each other. While they all certainly enjoy putting on the act that they don't care about each other, they all ultimately admit it and that gives Hatenko Yugi a leg up on my female harem shows.

Unfortunately, that's not really enough to overcome the show's central flaws. The hunks (and even Rahzel herself) are set up with intensely dramatic, mysterious and tragic backstories and we know this because we are told so. Flat out. Repeatedly. Usually by Rahzel herself. The accompanying heavy-handed metaphors drag whatever episodic plot they're foisted upon, giving everything a childish feeling at odds with the often dark and brutal subject matter. The undeniable gravitas is just shoved down the viewer's throat. It's possible it might have worked with some kind of central plot to hang on to, but instead it all collapses under its own meandering weight.

It's a shame, as I wouldn't have minded seeing more of Rahzel bickering with her man-whores. Fans of shoujo with a high tolerance for "Isn't that tragic?" who are looking for something a little different will probably find something to enjoy here, but everyone else can probably give it a pass. It could develop into something good, but with the level of storytelling presented thus far, it'll likely come at a high price.
based on 3 episodes : ANN : Wikipedia : YouTube

Wednesday, March 12, 2008

Gunslinger Girl -Il Teatrino-

Under the guise of a "Social Welfare Agency," the Italian government gives young, terminally ill girls a new lease on life by turning them into combat cyborgs and using them to quietly dispose of dissidents and terrorists. They're kept under heaving conditioning, losing their memory and identity before the operation. Each has a handler that they are given an overwhelming attachment to, one which manifests differently from girl to girl. The pair could seem like father and daughter, brother and sister, or even lovers. Queue lots of girls brutally killing dudes and waxing about the transience of life.

I'm a big fan of the original series. It managed to combine slick animation with a completely fan-service, pandering concept and somehow turn it into a rather compelling tragedy. Both the manga and the original anime had a wonderful atmosphere. The juxtaposition of delicate young girls toting around assault weapons and remorseless murdering anyone they were ordered to was honed even further with the razor-thin line they all walked between following orders and losing all control in their mad obsession with their handler. The characters were all given surprising depth, despite clearly being from a checklist of "character traits to include in successful anime production."

All that the sequel manages to retain of that comes from direct references to its predecessor. It clearly had no budget for animation, substituting shaky still images and speed lines for quality production. Nor does it have any solid writing, either, feeling the need to state the obvious that was left simply understood before. There are no tactics, no questionable morality, no smiling children murdering each other, no real attention to detail or subtle charm. Just schoolgirls with guns and mental problems shooting totally eeeeeevil Italian terrorists.

Gunslinger Girl -Il Teatrino- is, bluntly, just about everything the original was criticized for being without any of the redeeming elements I found in it. Not recommended for anyone, unless poorly-animated middle schoolers with machine guns is really enough to get you going.

Kinda makes me want to go back and re-watch the original to actually lay out a good defense for it...
based on 5 episodes : ANN : Wikipedia : YouTube

Saturday, February 16, 2008

H2O ~Footprints in the Sand~

The initial promise of a blind protagonist tossed into an inbred, warped village in rural Japan and forced to confront the casual brutality that is everyday life there... has evaporated. In its place are big-eye, fat-headed kids whining about anything is possible as long as you believe and some plot about a kid forced by her grandfather to impersonate her sister after she died as a child. All of the surprising and disturbing innuendo that intrigued me so much in the beginning turned out to be me just reading into everything.


Let me spoil it. Here's what was really going on: Hinata Kagura dies as a child and her little sister, Hotaru, is forced to take her place by an abusive (and prestigious) family. They tell the village that Hotaru died. Meanwhile, the powerful Kohinata family abuses the village, taking advantage of its wealth and doing horrible things like refusing to give medicine to the poor. Hinata Kagura and Hayami Kohinata become friends - only to be torn apart when the Kaguras lead the village to overthrow the Kohinata's, burning down their houses and scattering the family. Hayami is forced to live in squalor in the woods and the townsfolk regularly abuse her, both verbally and physically. But then the Promised One shows up: the blind Hirose. The "Spirit of the Sound of Time" (who turns out to be the ghost of the real Hinata) shows up, cheerfully (and prophetically) cures his blindess and he obstinately - but passively - sets out to just make everyone get along.

Turns out there was no The Lottery or any creepy, weird small-town with some kind of brutal, human-sacrifice superstitions. Instead, we just get a grand collection of idiots who are more than willing to take the abuse and blame for things they didn't do, and a town full of people more than happy to abuse - and then just as happy to be all nice-nice once an I'm-blind-but-now-I-see hapless loser shows up and asks "Why can't we all just get along?"

Recommended only for moe-taku and anyone with an unhealthy love for insipid harem anime that have pretensions of a deeply tragic plot.
based on 7 episodes : ANN : Wikipedia

Wednesday, February 13, 2008

Armored Trooper Votoms: Red Shoulder Document - Roots of Ambition

This prequel to the military sci-fi classic Armored Trooper Votoms tries to give some explanation of Chirico's past, shedding some light on both his time with the infamous Red Shoulder brigade but also the tragic childhood he had forgotten. Unfortunately, half-assed answers and recycled dramatic footage aren't as interesting as the faint air of mystery he had in the original series.


Red Shoulder Document - Roots of Ambition (also translated as Roots of Treachery) suffers much the same muddled and nonsensical plot as the modern prequel The Pailsen Files (which is supposed to immediately follow). The Red Shoulder brigade (the best of the best) essentially live in a prison and are routinely tossed into live combat just to see who survives, all as part of some quest to cull an immortal soldier who has luck/destiny on his side. This, of course, is Chirico. After proving he is immortal, they send him to the front lines to try to kill him once and for all. He's apparently too dangerous to be left alive.

There are a few glimmers of the tactics that made Chirico such a bad-ass in the TV series, but plot holes are large enough to run a mech through and what plot is there seems completely impenetrable without an encyclopedic knowledge of Votoms trivia. Recommended only for fans hardcore enough to watch a full hour for a few shots of a baby covered in goop floating in a vacuum with a terribly disturbing stare (at least judging from the other character's reactions).

based on full 60-minute OVA episode : ANN : Wikipedia

Armored Trooper Votoms: Pailsen Files

Despite fond memories of the original Votoms as military hard sci-fi that spanned from gritty realism on a futuristic battlefield to galactic conspiracies about super-soldiers, this shiny new prequel falls flat. The bad-ass hero Chirico is less stoic than effectively brain-dead and completely passive and the plot meanders around long-overused territory: the military brass keep sending Chirico and his misfit squad into ill-conceived suicide missions to test just how much of a super-soldier he really is.


While the retro-styled characters are inconsistently animated, the all-CG mecha are very well-done - making it all the more of a shame that very little is done with them. Most fight scenes come across as amateurish staging of WWII movies with giant robots.

A well-worn and aimless plot combined with suspense-less combat adds up to a terrible spin-off that arrived too late to ride on the success of a classic franchise. Recommended only to the most die-hard Votoms fans who will be happy just seeing the mecha animated with modern CG.

based on episodes 1-4 : ANN : Wikipedia